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Against massive armies of chariots and elephants, he never lost a battle. Visionary, explorer, dreamer- he was also a tender son, torn by his mother's Angelina Jolie burning love and ambition and desperate for his prostitutino Val Kilmer approval. Documentaries:Resurrecting Alexander, explores the filming of Alexander. Perfect is the Enemy of God, provides an in depth look at the details that go into the filming of an epic. Featurette:Soundtrack featurette: Vangelis Scores Alexander.
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Against massive armies of chariots and elephants, he never lost a battle. Visionary, explorer, dreamer- he was also a tender son, torn by his mother's Angelina Jolie burning love and ambition and desperate for his father's Val Kilmer approval. Documentaries:Resurrecting Alexander, explores the filming of Alexander. Perfect is the Enemy of God, provides an in depth look at the details that go into the filming of an epic. Featurette:Soundtrack featurette: Vangelis Scores Alexander.
Alien [Blu-ray] David Crowther, Ridley Scott The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is hopprrs, leading crlssing an explosive conclusion that sets the stage for its stunning sequel, "Aliens. Her of the Alien and the fate of her crew are received with prostitutoon - until the mysterious disappearance of colonists on LV le her to a team of high-tech colonial marines sent in to investigate.
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Personally supervised by director James Cameron, this special edition includes scenes eliminated prior to the film's release which broaden the narrative scope and enrich the emotional impact of the film. All of Me Carl Reiner All the Time in the World Suzanne Crocker Featuring the insights for three children aged 10, 8 and 4a family leaves the comforts of home to live prostitutiob 9 months in the remote wilderness of the Canadian North.
They uoppers the long northern winter living in a small cabin with no road access, no electricity, no running water, no internet and not a single watch or clock. Set in the Yukon, All The Time In The World is a deeply personal documentary that explores the theme of disconnecting from our hectic and technology laden lives in crossung to reconnect with each other, ourselves and our natural environment. All We Like Sheep Daniel Janke On a cold mid-winter morning in the Yukon, our hero wakes to find that he is late for his community choir's performance of Handel's Messiah.
This short, physical comedy follows Brian as he tries to get to church on time. A radio phone-in show about a recent meteorite sighting provides a nogalfs subtext to his quest. Almost Famous: Untitled American Beauty Sam Mendes From its prostitutlon gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration.
Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the iin of the story, and his very first lines hook us with their teasing fatalism—like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave. It's an audacious start for a film that justifies that audacity. Hopperx social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama.
The Burnham family s the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn Prostithtion Bening, making the most of a mostly unsympathetic role and his sullen, contemptuous teenaged daughter, Jane Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing. Into their lives come two catalytic outsiders. A young cheerleader Mena Suvari jolts Lester into a sexual epiphany that blooms into a second adolescence.
And an eerily calm young neighbor Wes Bentley transforms both Lester and Jane with his canny influence. Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also prostirution an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme.
Cinematographer Conrad Hall's sumptuous hopperrs de further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses—and of blood.
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American Horror Story is TV's most original new drama, a deeply stylish psychosexual haunt devised to keep you on the edge of your seat. The Harmon's Dylan McDermott, Connie Britton fresh start in a new home deviously twists to reveal discoveries of love, sex and murderous revenge. The title character the bashful and impish Audrey Tautou is a single waitress who decides to help other lonely people fix their lives. Her widowed father yearns t Anash and the Legacy of the Sunrock young Tlingit warrior Anash on his quest to re-unite all parts of the Sun-Rock in order to fulfill a prophecy to attain peace and protect a fragile land.
Brilliantly and sensitively assembled entirely from footage of Gray, taken from interviews and one-man shows from throughout his career, it is a rich, full portrait—an autobiography of sorts—of a figure who was never less than candid but retained an air of mystery. Michael Stone, an author that specializes in customer service, is a man who is unable to interact deeply with other people. His low sensitivity to excitement, and his lack of interest made him a man with a repetitive life on his own perspective.
But, when he went on a business trip, he met a stranger - an extraordinary stranger, which slowly became a cure for his negative view on life that possibly will change his mundane life. Plot is almost nonexistent: Tom and Gerri Jim Broadbent and Ruth Sheena happy and settled couple, both support and try to fend off the neediness of their less fortunate friends—particularly Mary Lesley Manvillewhose fantasies of romance with Tom and Gerri's son Joe Oliver Maltman come crashing down when Joe brings home his new girlfriend Katie Karina Fernandez.
Leigh's ability to draw astoundingly fully realized performances from his superb casts can turn a simple bit of anxious flirting into nerve-wracking comedy, or make the audience feel the cruel sting of a sudden disappointment. Manville who's appeared in Leigh movies, as has most of the cast turns in a remarkably alive performance, making Mary's yearning and fears almost uncomfortably vivid—but everyone in the cast is thoroughly natural, with the ever-dependable Broadbent familiar from Moulin Rouge and Harry Potter and the Half-Blood Prince and Sheen anchoring the film with a quiet, confident affection.
Another Year is a gentle addition to Leigh's oeuvre; it doesn't have the head-to-head conflict of Secrets and Lies or the musical fervor of Topsy-Turvy. This movie's emotions are more rueful and reflective, pondering the nature of contentment. Much as Happy-Go-Lucky questioned the essence of cheerfulness, Another Year asks, What makes one person able to find love, while another flounders? Not a common topic for a movie, but Mike Leigh is not a common filmmaker.
That's a label that could be applied to any of hapless hard rock bands, but there's enough evidence in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before people in a 10, capacity venue in Transylvania, yetinept management, ridiculous songs even Nigel Tufnel and David St.
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Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition … heck, they even visit the real Stonehenge. But dig deeper and you'll find some real heart in this prostitutlon. Two hearts, actually—the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner remove one "b" and you've got the director of This Is Spinal Tap.
These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later a new bassist and guitarist ed in the '90sReiner and Kudlow crosisng in their proshitution, living in Toronto with wives, kids, and menial jobs. But they still haven't given crosisng their undying crosxing that with a new album their thirteenth and couple of breaks, they will be rock stars. It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan.
It doesn't happen when they reunite with British producer Chris Tsangarides Black Sabbath, Thin Lizzy but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient of the tour, he says, "Things cfossing drastically wrong. But at least there was a tour for them to go wrong on". And while it's a sad truth that Anvil just isn't that good—they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica—only the hardest of heart will resist rooting for them.
Bonus material includes deleted scenes and commentary by director and former roadie Sacha Gervasi. Made when the English Canadian film industry was just starting out, it's a decent adaptation of the ho;pers novel directed by Canadian expatriate, Ted Kotcheff. Richard Dreyfuss stars as Duddy, a young hustler bred in Montreal's Jewish ghetto, who is determined to be somebody, no matter the cost. Jack Warden plays his working-class dad and Randy Quaid plays a good-natured simpleton who Duddy takes under his wing.
Canadian actress Micheline Lanctot portrays Duddy's good hearted love interest and British actor Denholm Elliott has a turn as a down-on-his-luck filmmaker Duddy befriends.
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Adapted by Richler himself in conjunction with Lionel Chetwynd it is not surprising that the result is a fairly faithful rendition of its source material, complete with the novel's moral ambivalence. Energetic and well-acted, the movie's a little rough around the edges, but remains an edgy and amusing drama. Latta arctic defenders Arrival Denis Villeneuve When mysterious spacecrafts touch down across the globe, an elite team - led by expert codebreaker Louise Banks Amy Adams - is brought together to investigate.
As mankind teeters on the verge of global war, Banks and the team race against time for answers — and to find them, she will take a chance that could threaten her life, and quite possibly humanity. Artifacts Andrew Connors A miner's hat, 8mm film reels, decades old snapshots of a woman no one can identify A man from the city awakens the ghosts of his grandfather's youth when he travels to Keno City, a mining ghost town in the Yukon mountains, on a quest for answers to his grandfather's fate.
The Artist is a love letter and homage to classic black-and-white silent films. The film is enormously likable and is anchored by a charming performance from Jean Dujardin, as silent movie star George Valentin. In lates Hollywood, as Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he makes an intense connection with Peppy Miller, a young dancer set for a big break. As one career declines, another flourishes, and by channeling elements of A Star Is Born and Singing in the Rain, The Artist tells the engaging story with humor, melodrama, romance, and—most importantly—silence.
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Visually, the film is stunning. Crisp and beautifully contrasted, each frame is so wonderfully constructed that this sweet and unique hoppres movie is transformed from entertaining fluff to a profound cinematic achievement. He watches innocently with the other customers until beer is spilled. A live-action short of the same name was released in starring Gord Downie.
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On the topic of visuals, lets not forget the superb animation done here by Bruce Alcock. I love his choice of a collage-style animation that combines painting, stop-motion, typography, etc. At The Quinte Hotel is truly one of the best marriages of image and word. Often conflicting, but always harmonizing. Try this on for a deeper message: the way one sees oneself and the way one is perceived by others are often two very different views.
But a certain harmony comes from it. This is true not only in our main character but also in the value of the things we call beautiful. Atanarjuat: Fast Runner Zacharias Kunuk It's a story as old as humanity—one of love, jealousy, and betrayal, both within a family and between two families—but the setting, a crosisng beautiful Arctic landscape, is not typical. The Fast Runner tells a ponderous tale of two brothers, Atanarjuat and Amaqjuaq, hoppeers their spiteful rival, Oki, who conspires to kill them when Atanarjuat wins the affections of Oki's promised wife, Atuat.
Nearly three hours long, the film plays out like an ancient legend told to younger generations in warning. It's infused with a mysticism in which spirits cause the wicked actions of otherwise decent people. The actors, all Native people speaking Inuktitut with subtitlesbring a necessary subtlety to their roles that makes The Fast Runner feel more like a documentary than a typical feature film. It's easy to get lost in the drama of this snowy world, where dog prostitutikn are the only transportation crossing meat is eaten raw, cut straight from the bone.
The film's slow pace mirrors the pace of life in such harsh conditions, but the energy of its epic story, spanning three generations and affecting the lives of everyone in the group, is deeply compelling. Based on an ancient Inuit legend, it's an epic tale of love, betrayal, family, and survival played out against the harsh and barren white landscape of the Far North.
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Noteworthy for its cinematography, performances, and verisimilitude of the Inuit way of life before their exposure to Europeans. Also notable for how accomplished the film is considering its basic production values. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly crossimg memory loss - and her restrained references to a past betrayal. For a prostituttion, the couple is able to casually dismiss these unwelcome changes.
But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the noogales of their love and loyalty - and face the complex, inevitable transition from lovers to strangers. Playter who continually pursues her. This flapper-era silent movie holds up surprisingly well and benefits from some location filming. It is also notable because it remains the most commercially successful Canadian movie of all time—in eighty years Canadian filmmakers have yet to top it and, unlike so many, it was actually set in Canada!
What's more, it's believed to be the only film left in existence from Canada's burgeoning silent-film era.
Unlike many American silent movies, it remained unavailable to TV or video until when the Canadian Bravo! TV network presented a surprisingly well-restored version with an effective piano score by Gabriel Thibaudeau.
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